The world premiere of the new children’s opera, “Pancho Rabbit and The Coyote,” took place on Saturday at the Southwestern College Performing Arts Center in California. Composed by Anthony Davis, a Pulitzer Prize winner, this opera is based on the award-winning children’s book by Duncan Tonatiuh. The production, commissioned by Bodhi Tree Concerts, showcases a unique blend of Spanish and English, resonating deeply with its border community.
This one-act chamber opera features a diverse cast, with nearly all characters portrayed as animals. The story follows an 11-year-old rabbit named Pancho, voiced by Mariana Flores Bucio, who embarks on a challenging journey from his home in Mexicali to find his father in El Norte. He is accompanied by a cunning coyote, skillfully portrayed by Victor Ryan Robertson. Their relationship oscillates between ally and adversary, highlighting the complexities of survival in a world marked by social and political challenges.
The opera’s narrative intertwines themes of love, family, and the harsh realities faced by undocumented migrants. As Pancho and the Coyote navigate their journey, they confront issues such as social inequities and climate change, making the story relevant and poignant.
Davis’s score, a vibrant mix of styles including classical, cumbia, and jazz, adds depth to the production. The 17-piece orchestra performed with exceptional energy and precision, featuring talented musicians like trombonist Michael Dessen and violinist David Boroff. The music not only enhances the emotional landscape but also complements the lively storytelling.
The lyrics, crafted by librettist Allan Havis, were displayed in supertitles above the stage, ensuring accessibility for both children and adults. Havis’s poetic language struck a balance between simplicity and nuance, effectively engaging the audience throughout the performance.
Critical Acclaim and Future Performances
The premiere was well-received, with audiences praising the performances, particularly those of Bucio and Robertson. Their portrayals brought a vibrant energy to the stage, capturing the innocence and determination of their characters. Other cast members, including Oriana Geis-Falla as Mama Rabbit and Bernardo Bermudez as Papa Rabbit, also delivered commendable performances, contributing to the overall success of the production.
As the opera continues its journey, it will feature alternate performers during its upcoming show in Tijuana on January 31, 2024. This decision highlights the ongoing complexities surrounding border crossings, with some cast members expressing concerns about potential risks despite having proper documentation.
The opera’s ability to resonate with contemporary issues was evident throughout the performance. Although the final act felt somewhat rushed, the overall production consistently hit its marks, leaving a lasting impression on attendees.
“Pancho Rabbit and The Coyote” is poised to become a significant addition to the repertoire of contemporary opera, with the potential for further acclaim. As audiences continue to engage with its themes and music, the work stands as a testament to the power of storytelling in addressing real-world challenges.
