Tessa Thompson’s latest film, Hedda, has garnered significant critical acclaim, achieving a remarkable 90% approval rating on Rotten Tomatoes. Directed and written by Nia DaCosta, this adaptation of Henrik Ibsen’s 1891 play, Hedda Gabler, showcases Thompson in a powerful lead role. The film premiered at the Toronto International Film Festival on September 7, 2025 and opened in select theaters in the United States on October 22, before its release on Amazon Prime Video.
Critical Reception Highlights
Critics have responded positively to both Thompson’s performance and DaCosta’s direction. Amon Warmann from Empire Magazine remarked, “Tessa Thompson has never been better as the titular not-so-desperate housewife in Nia DaCosta’s bold, stylish reimagining of Henrik Ibsen’s timeless play.” The portrayal has been recognized for its depth and complexity, aligning with the film’s psychological themes.
Lyvie Scott of Inverse described the film’s narrative as akin to a “pressure cooker,” transforming it into a “diabolical psychological thriller.” Scott emphasized the character of Hedda as part of the “monstrous feminine” archetype, highlighting the film’s intense emotional landscape.
Wendy Ide from The Observer noted the film’s unpredictable nature, stating it is “as treacherous and unpredictable as Hedda herself.” While acknowledging some aspects of the film may not resonate, Ide praised Thompson’s performance as “glorious” and full of “weaponised ennui, languid malice and impeccable tailoring.”
Linda Marric of The Sun also commended the film, calling it “stylish, witty, and wickedly entertaining,” further reinforcing DaCosta’s talent for reinventing classic narratives. Meanwhile, William Bibbiani from TheWrap characterized Hedda as “a sensual, ingenious update of Ibsen’s classic play,” emphasizing its transformation into a modern cinematic experience.
Anticipation and Future Outlook
The film’s current Rotten Tomatoes rating is based on 77 reviews, a number that is expected to evolve as additional critiques emerge. The positive reception indicates strong potential for audience engagement, particularly among those familiar with the source material and fans of psychological dramas.
With its blend of classic literature and contemporary storytelling, Hedda not only highlights the talents of Tessa Thompson and Nia DaCosta but also promises to resonate with a diverse audience. As the film continues to be discussed in both critical and casual circles, it stands as a noteworthy entry in this year’s cinematic offerings.
