Two new books are shedding light on the complex history of the American West, revealing both the triumphs and tragedies that have shaped the nation. Paul Andrew Hutton’s “Undiscovered Country: Triumph, Tragedy and the Shaping of the American West” presents a sweeping narrative that spans centuries, while Peter Cozzens’ “Deadwood: Gold, Guns and Greed in the American West” focuses on the specific story of one town to illustrate broader themes of American identity and morality.
Hutton’s book begins before the American Revolution, exploring a time when the West was considered much further east than it is today. He interweaves the lives of notable figures such as Daniel Boone, Davy Crockett, and Sitting Bull to paint a picture of the American frontier that reflects both heroism and hardship. In contrast, Cozzens narrows his focus to Deadwood, a town emblematic of the lawlessness and greed that accompanied the gold rush, illustrating the impact on Native American communities.
Contrasting Perspectives on the American Experience
While both authors highlight personal stories, their approaches differ significantly. Hutton seeks to illuminate the epic narrative of the West, emphasizing its role in shaping American identity. He cites historian Frederick Jackson Turner, who argued that the frontier experience contributed to a unique American character. Hutton asserts, “The story of the West is the story of America… it gave us an identity as a people.”
Cozzens, on the other hand, uses Deadwood as a case study to explore the consequences of unchecked ambition and lawlessness. He reflects on the town’s chaotic history, stating, “It was not only a lawless town, but intrinsically a lawless enterprise subject to no federal and territorial laws.” His analysis serves as a cautionary tale about the darker aspects of American expansion.
Both authors recently engaged in a joint presentation at the Buffalo Bill Center in Cody, Wyoming, where they discussed their works and the themes within them. Following their event, they participated in a video interview that has been edited for clarity.
Reflecting on Historical Narratives
During their discussion, Hutton and Cozzens addressed the enduring influence of the West on contemporary American identity. Hutton noted that while pride in the nation’s past is important, it should be tempered by an acknowledgment of the tragedies faced by Native Americans. He remarked, “We can take pride from those moments that uplift us, but temper it with the tragic lives of those who weren’t part of that story.”
Cozzens echoed this sentiment, emphasizing the importance of recognizing historical injustices. He remarked, “It’s great to celebrate the American West and the triumph of our success, as long as it’s levied with the realization of the injustices that we did commit toward the American Indians.”
As the authors delve into the lives of historical figures, they highlight the complexities of their legacies. Hutton pointed out that figures like Boone and Crockett had complicated relationships with Native Americans, often fighting against them while also advocating for their rights. He stated, “Crockett sacrifices his political career on this altar, believing he has more of a common interest with these Native people than the politicians.”
Cozzens added that many military leaders of the time were sympathetic to the plight of Native Americans, yet they were often at odds with governmental policy. This nuanced portrayal of historical figures encourages readers to reconsider the simplistic narratives that often dominate discussions of the American West.
The authors also reflected on how modern portrayals of the West, such as the HBO series “Deadwood,” impact public perception. Cozzens expressed concern that while the series is entertaining, it does not encapsulate the entirety of Western history. He stated, “For people to assume the show encapsulated what the entire West was like is a mistake.”
Hutton acknowledged the power of film and television in shaping cultural narratives, noting the current resurgence of interest in Western themes, as seen in shows like “Yellowstone.” He believes this trend can foster a positive spirit that America needs today, stating, “The Western spirit is a positive one, and God knows we could use a little positivity in the United States these days.”
As both authors continue to explore the intricate tapestry of the American West, their works offer valuable insights into the nation’s past and present. By addressing both the achievements and the injustices of this significant period, they encourage a deeper understanding of America’s identity and the complex legacy of its expansion.
