The release of the Netflix documentary The Reckoning has reignited scrutiny around the past allegations against Curtis “50 Cent” Jackson, coinciding with a focus on Sean “Diddy” Combs. As executive producer of the documentary, Jackson has taken a prominent role in shedding light on Combs’ controversial history, yet this has led to renewed discussions about his own troubled past, which includes accusations of physical assault and domestic violence.
While The Reckoning aims to expose the alleged abuses of power by Combs, it has inadvertently placed Jackson’s own history in the spotlight. Critics are questioning the integrity of Jackson’s position as he calls for accountability from Combs while facing his own serious allegations. The public discourse now centers not only on Combs’ actions but also on the implications of Jackson’s involvement in the narrative.
In 2013, the first public allegation against Jackson emerged when model and actress Daphne Joy accused him of breaking into her residence and causing significant damage during an argument. The Los Angeles City Attorney’s office charged him with domestic violence and vandalism, totaling five counts. Jackson opted for a plea deal, resulting in a no contest plea to a vandalism charge, which led to three years of probation and community service, while the domestic violence charge was dropped.
The conversation around Jackson intensified in March 2024, when Joy publicly accused him on social media of raping her and subjecting her to long-term physical abuse during their relationship. This statement coincided with allegations against Combs, particularly concerning Joy being labeled as one of Combs’ “sex workers.” In response, Jackson filed a defamation lawsuit against Joy, claiming her statements were false and damaging to his reputation, though he later dropped the case in September.
Additionally, Jackson faced a civil lawsuit from Guadalupe de los Santos in early 2025, who accused him of assault and battery. According to de los Santos, an incident occurred in September 2024 when Jackson’s SUV allegedly struck him as he waited at a traffic light. The case was settled shortly before the premiere of The Reckoning.
In August 2025, another allegation arose when Jahaira Rodriguez filed a lawsuit against Jackson, accusing him of physical assault, sexual abuse, and emotional harm prior to his bankruptcy filing in 2015. Although Jackson’s legal team sought to dismiss claims made before his debts were discharged, a judge reopened the bankruptcy case, allowing Rodriguez’s suit to proceed.
The documentary has prompted a reevaluation of Jackson’s past, as the public grapples with the complexities of his role in calling out abuses while facing his own serious allegations. While many support the push for accountability regarding Combs, the contrast between Jackson’s advocacy and his personal history raises questions about moral authority and the potential hypocrisy of his actions.
As discussions around The Reckoning continue, the implications of Jackson’s past cannot be ignored. The resurfacing of these allegations emphasizes the need for a broader conversation about accountability in the entertainment industry, where personal histories often intersect with public narratives. The impact of these unresolved issues lingers as audiences reflect on the stories of those who have accused Jackson, underlining the importance of addressing all allegations of abuse, regardless of the individual’s status.
