Jacqueline Bisset expressed her “mixed feelings” regarding the lifetime achievement honor she received at the Torino Film Festival. The renowned actress emphasized, “I have not finished my career!” Despite this sentiment, she eagerly accepted the festival’s invitation to highlight independent films that have struggled to find distribution in Italy. Bisset remarked, “They may not be widely known, but they show an actor’s craft at its best.”
During a press conference held on Sunday, Bisset shared engaging anecdotes about her esteemed co-stars, while also offering praise for less recognized collaborators. Reflecting on her time with Paul Newman, she described him as “a truly kind man” who was “shy and terrible at telling jokes.” She fondly recalled Newman’s inability to maintain a serious demeanor, often laughing before delivering the punchline.
Bisset also addressed her experiences with Mickey Rourke, admitting, “I had a little fear of him because he creates a kind of frenzy.” She explained how Rourke’s presence generated an atmosphere of chaos, despite his quiet conversations. Her reflections on Kelly Blatz, her co-star in the 2022 film “Loren & Rose,” were filled with warmth. “He gave me so much life because he really listened,” she said. Bisset emphasized the importance of listening in acting, stating, “If you pay particular attention, you can almost force the other actor to be more real.”
Bisset’s insights extended beyond acting, touching on her personal philosophy about communication. She wittily noted, “Silence is necessary, and men love to talk about themselves,” highlighting advice she received from her parents that has proven valuable in both life and cinema.
In addition to her reflections on acting, Bisset shared a practical tip regarding health and aging: “If you don’t want to age or swell like alcoholics, don’t use salt.” She encouraged others to experience the true sensitivity of taste in food, although she humorously lamented that “in Italy, it’s hopeless; nobody listens.”
Bisset also recounted a significant moment during the filming of “Murder on the Orient Express” in 1974. The production team proposed reducing the lunch break from one hour to half an hour, which Bisset opposed. She recalled that lunchtime was a cherished moment for the cast, where they could engage and learn from icons like Lauren Bacall. Bisset praised Vanessa Redgrave for her strong leadership in advocating for fair treatment, saying, “We must not accept, we must not give in.”
When it came time to vote on the proposed change, Bisset raised her hand in support, only to realize she was alone. Despite the defeat, she credited Redgrave’s passionate stance, stating, “That was the only moment of courage in that film.”
Bisset also reflected on her own potential as a director. “I have a great visual sense and I am very efficient,” she noted, suggesting she could excel in that role. However, she acknowledged her preference for independence, stating, “I don’t like receiving help, and I prefer to have my own kingdom entirely to myself.”
She candidly admitted that her personality might not suit the collaborative nature of directing. “I wouldn’t behave very well,” she explained, adding that she might struggle with interpersonal dynamics on set. “I might become a monster,” she concluded, reaffirming her commitment to her current role as an actress, where she feels more comfortable in front of the camera.
Through her reflections, Bisset not only celebrated her storied career but also provided an intimate glimpse into her personal values, emphasizing the importance of listening, collaboration, and respect in both life and art.
