Daisy Ridley’s latest film, We Bury the Dead, is making waves in the horror genre, particularly within the zombie subgenre. Directed by Zak Hilditch, the film explores a fresh take on undead narratives, diverging from conventional portrayals. The reception of the film has sparked debate among critics and audiences alike, yet its favorable rating on Rotten Tomatoes suggests it stands out as one of the more innovative zombie films in recent years.
Set in the backdrop of Tasmania, the story follows Ava, portrayed by Ridley, as she embarks on a harrowing journey to find her husband after a catastrophic event triggered by an experimental weapon. This incident leads to the resurrection of the dead, but not in the traditional sense. The film introduces a distinctive type of zombie, characterized by unsettling sound effects that heighten the horror experience.
Unique Sound Design Enhances Horror Experience
In We Bury the Dead, the zombies exhibit minimal cognitive function, retaining only basic motor skills. However, Hilditch employs a unique auditory element to illustrate their loss of humanity. The undead characters are depicted as grinding their decayed teeth incessantly, a sound that has been described as both disturbing and memorable. The grinding reaches a terrifying climax, with teeth grinding to the point of breaking, producing a nightmarish cracking noise that lingers long after its first utterance.
Such sound design has a significant impact on the film’s effectiveness. Iconic horror films have often relied on distinctive sound effects to create tension. For instance, the xenomorph’s hiss in the Alien franchise and the growl of the demon in The Exorcist are instantly recognizable and successfully contribute to their respective atmospheres. While the zombies in We Bury the Dead may not achieve the same level of fame, the sound of their grinding teeth is sure to leave a lasting impression on viewers.
Daisy Ridley’s Performance and Directorial Choices
Ridley delivers a nuanced performance as Ava, balancing vulnerability with determination throughout her quest. The film’s impact is magnified by Hilditch’s restrained use of the zombies. By allowing the unsettling sound effects to take center stage rather than overwhelming the screen with constant undead appearances, he creates an atmosphere filled with tension and anticipation.
As horror fans flock to theaters, We Bury the Dead is now showing in most major cinemas. The film, which runs for a concise 95 minutes, has garnered attention for both its innovative approach to sound design and its exploration of grief and loss. With its official release date on January 2, 2026, the film is poised to resonate with audiences seeking fresh narratives in a genre that often feels saturated.
The combination of Ridley’s compelling performance and Hilditch’s creative direction positions We Bury the Dead as a noteworthy entry in contemporary horror cinema, inviting both intrigue and fear as viewers confront its chilling soundscape.
